1. Briefly introduce yourself: what do you like to do, what are the things that are important in your life?
As a young adult in my twenties on a path of self-discovery, I’m continually exploring the possibilities for my future. I discovered photography through my interest in the film industry, and it has remained an important part of my life ever since. The human relationships that enrich me and help me grow day by day are crucial to my development and help me become more than just an individual.
2. What does photography means to you?
I see the camera—and photography—as powerful tools for both self-expression and creative exploration. As an independent creator, I believe it’s essential to have a clear purpose behind each photograph. Photography allows me to delve into a variety of issues, whether global, local, or deeply personal. At the end of the creative process, I find it important to share these perspectives with a wider audience. By doing so, I hope to spark conversations around the topics I care about and have chosen to highlight.
3. What or who inspires you in your own creative work?
In the beginning, I searched various online platforms for photographers and projects that resonated with me and aligned with my current focus. Over the past few years, my attention has shifted to rural areas, allowing me to explore photographers and projects in greater depth—ones I had previously only known superficially or not at all. If I had to name specific influences, they would definitely include Péter Korniss, Petruț Călinescu and Imre Bukta.
4. What was the last topic you dealt with?
Perhaps it was when I moved to Cluj-Napoca that I became especially interested in the environment where I grew up. Over the past five years, I’ve been returning to the countryside, exploring it from various perspectives. My last project project centers on the evolving image of the village and the transformation of its communities. I’m searching for answers to questions about how different generations connect with one another in this time of change and what role my generation plays in this story. I want to understand what "village," "village identity," and "home" mean to us today.
5. In your opinion, does Odorheiu- Secuiesc need associations/communities that support contemporary art activities?
I see a growing support and demand for establishing a community in Odorheiu that can shape the artistic life of the city in the future. In recent years, more exhibitions and opportunities for contemporary art have emerged. It is important to note that this progress can only be effective if these steps are taken collaboratively, not competitively. Instead of bidding against each other, there should be a shared interest and consensus, fostering a larger community that collectively prepares the people of Odorheiu for the reception and appreciation of contemporary art.
6. What does it mean to you to be an artist from Odorheiu Secuiesc or its surroundings?
Belonging has always influenced certain aspects of our lives. The environment we come from shapes our interests, outlook, and more. Living in the surroundings of Odorheiu Secuiesc, my attention is primarily focused on local events and issues, which I also address as an artist.
7. What opportunities do you see in Off Space's initiatives and how does the association differ from similar organisations/initiatives in Odorheiu Secuiesc?
Off Space was created primarily to support young artists from Odorheiu Secuiesc. Recently, similar initiatives have emerged from various places, but I believe Off Space reaches a target audience that institutions with different profiles do not necessarily cater to. In addition to supporting local talents from Odorheiu, it is also important for us to connect with the national scene, bringing a completely fresh approach to the city.
8. What would you change in Odorheiu Secuiesc from an artistic point of view?
When I look at Odorheiu-Secuiesc as an outsider, I see a city with a vibrant cultural life. Yet, for some reason, this vibrancy exists without the presence of young people and young professionals. I still observe fear and isolation—a fear of the new and a reluctance toward the unknown. If I could change anything, it would be to break down this isolation and foster a shift in attitude toward embracing the unfamiliar.
9. What are your plans for the future?
In a long term perspective, I hope that we can set up our own gallery for the association, initiate different scholarship applications and develop mentoring programmes. My aim is to create an atmosphere and environment in Odorheiu Secuiesc that welcomes young artists to the city and gives them the opportunity to integrate into the local cultural life.